Huntington Verso

Un libro del siglo XIX sobre las orquídeas de Latinoamérica evoca una reflexión personal sobre la vulnerabilidad y la resiliencia de las plantas, el arte de la ilustración botánica y la poderosa función de los retratos como huellas perdurables de la memoria cultural.

A 19th-century book on Latin American orchids prompts a personal reflection on the vulnerability and resiliency of plants, the art of botanical illustration, and the power of portraits as markers of cultural memory.

In the 18th and 19th centuries, an obsession spread among bibliophiles for extra-illustrating or grangerizing books. Readers would supplement the pages of an already published book by inserting prints and related materials acquired from other sources. This process would often result in a huge expansion of the original volume.

When Velasco’s painting arrived at The Huntington, a few lines of printed text could be seen at the bottom of the work. Infrared reflectography, a process that can detect layers of detail not visible to the naked eye, has revealed what lies beneath the painting’s surface.

The exhibitions “Storm Cloud: Picturing the Origins of Our Climate Crisis” and “Growing and Knowing in the Gardens of China” trace the dovetailing histories of the relationship between humans and the environment and emphasize the significant role that close observation has played in art, science, and ethics.

What may be the first aerial photographs of Pasadena, captured in 1909, were the product of a risky—almost disastrous—undertaking. When photographer Harold A. Parker was on the balloon American, he took photos of the city from the air. But the journey became harrowing when the balloon flew off course.

More than a century has passed since the iconic Victoria water lily last graced The Huntington’s botanical collections. Today, you’ll find these intriguing tropical giants growing in the basin of the North Vista’s fountain and in the Lily Ponds on the south side of the property.

Provenance, or the ownership history of a valued item, is generally associated with works of art. But plant provenance has become increasingly important as theft from botanical collections and the wild escalates. In response, The Huntington has joined an international working group focused on raising awareness of the problem.

The Huntington has acquired a 1543 “Fabrica” by Andreas Vesalius, whose book revolutionized the field of anatomy. The volume’s reunion with the Los Angeles County Medical Association’s collection at The Huntington not only restores a cornerstone of medical history but fosters deeper connections among the Library’s medical treasures.

Thomas Young’s 1896 volume of original poems and songs is among the few books by African American authors to have been published in the American West before the 20th century. Young’s as-yet-unheard voice belongs to the longer tradition of Black literature and, more broadly, American literature.

The scientific voyage of the HMS “Challenger” nearly 150 years ago defined the field of modern oceanography and continues to inform climate change studies to this day. As both a global expedition and a staggering publication series, the “Challenger” synergized art, craft, and science to visualize Earth’s mysterious underwater world.

Thanks to digital technology, it’s possible for anyone with a smartphone to create galleries of captivating plant images. But this is just the latest chapter in a long love affair between photographers and plants—many examples of which are documented in The Huntington’s collections.